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Review

Alex Ross, The New Yorker, April 12, 2021
The festival’s epic speaking-clock finale had its own bleary pleasures. Titled timepiece, it built on Ablinger’s 2012 work tim Song. Lewis appeared as a reciter in the first hour; a few hours later, the Bozzini Quartet accompanied the speakers with Michael Oesterle’s Consolations, which is not unlike Frey’s quartet in mood. Long past midnight, the Irish composer-performer Jennifer Walshe took over the broadcast and wreaked havoc, as is her wont.